Mar 15, 2017

Galle (A Pardise for Traveller), Southwest Coast, Sri Lanka

Galle (Sinhalese: ගාල්ල; Tamil: காலி) is a major city in Sri Lanka, situated on the southwestern tip, 119 km from Colombo. Galle is the administrative capital of Southern Province, Sri Lanka and is the district capital of Galle District.

According to James Emerson Tennent, Galle was the ancient seaport of Tarshish, from which King Solomon drew ivory, peacocks and other valuables. Cinnamon was exported from Sri Lanka as early as 1400 BC and the root of the word itself is Hebrew, so Galle may have been a main entrepot for the spice.

Galle had been a prominent seaport long before western rule in the country. Persians, Arabs, Greeks, Romans, Malays, Indians, and Chinese were doing business through Galle port. In 1411, the Galle Trilingual Inscription, a stone tablet inscription in three languages, Chinese, Tamil and Persian, was erected in Galle to commemorate the second visit to Sri Lanka by the Chinese admiral Zheng He.

The "modern" history of Galle starts in 1502, when a small fleet of Portuguese ships, under the command of Lourenço de Almeida, on their way to the Maldives, were blown off course by a storm. Realising that the king resided in Kotte close to Colombo Lourenço proceeded there after a brief stop in Galle.

In 1640, the Portuguese had to surrender to the Dutch East India Company. The Dutch built the present fort in the year 1663. They built a fortified wall, using solid granite, and built three bastions, known as "Sun", "Moon" and "Star".

After the British took over the country from the Dutch in the year 1796, they preserved the Fort unchanged, and used it as the administrative centre of the district.

Galle was known as Gimhathiththa (although Ibn Batuta in the 14th century refers to it as Qali) before the arrival of the Portuguese in the 16th century, when it was the main port on the island. Galle reached the height of its development in the 18th century, during the Dutch colonial period. Galle is the best example of a fortified city built by the Portuguese in South and Southeast Asia, showing the interaction between Portuguese architectural styles and native traditions. The city was extensively fortified by the Dutch during the 17th century from 1649 onwards. The Galle fort is a world heritage site and is the largest remaining fortress in Asia built by European occupiers.

Other prominent landmarks in Galle include the city's natural harbor, the National Maritime Museum, St. Mary's Cathedral founded by Jesuit priests, one of the main Shiva temples on the island, and Amangalla the historic luxury hotel. On 26 December 2004 the city was devastated by the massive Tsunami caused by the 2004 Indian Ocean earthquake that occurred a thousand miles away, off the coast of Indonesia. Thousands were killed in the city alone. Galle is home to a cricket ground, the Galle International Stadium which is considered to be one of the most picturesque cricket grounds in the world. The ground which was severely damaged by the tsunami, was rebuilt and test matches resumed there on December 18, 2007.


























Important natural geographical features in Galle include Rumassala in Unawatuna, a large mound-like hill, which forms the eastern protective barrier to the Galle harbour. Local tradition associates this hill with some events of Ramayana, one of the great Hindu epics. The major river in the area is the Gin River (Gin Ganga), which begins from Gongala Kanda and passes villages such as Neluwa, Nagoda, Baddegama, Thelikada and Wakwella, reaches the sea at Ginthota. The river is bridged at Wakwella by the Wakwella Bridge.

Their are lot of place to explorer in Galle, Like -  
  • The Kalutara temple is a place you must not miss.
  • If you are superstitious, you may consider making a donation and saying a prayer at Seenigama temple for good luck.
  • A walk along the Fort's walls at sunset is very pleasant if you don't mind being hassled to buy table cloths, fake antique 'Dutch' coins, or powdered milk.  
  • Galle Light house
  • Dutch Church
  • All Saints Church
  • Maritime Archeology Museum
  • Historical Mansion Museum
  • Kanneliya Rain Forest Reserve
  • Rumasalla Mountain
  • Kottawa Jungle
  • Sri Lanka Navy Whale Watching
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Colosseum (The Roman Colosseum), Rome, Italy

The Colosseum or Coliseum, also known as the Flavian Amphitheater, is an oval amphitheater in the center of the city of Rome, Italy. Built of concrete and sand, it is the largest amphitheater ever built. The Colosseum is situated just east of the Roman Forum. Construction began under the emperor Vespasian in AD 72, and was completed in AD 80 under his successor and heir Titus. Further modifications were made during the reign of Domitian (81–96). These three emperors are known as the Flavian dynasty, and the amphitheater was named in Latin for its association with their family name.

The Colosseum could hold, it is estimated, between 50,000 and 80,000 spectators, having an average audience of some 65,000; it was used for gladiatorial contests and public spectacles such as mock sea battles (for only a short time as the hypogeum was soon filled in with mechanisms to support the other activities), animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It was later reused for such purposes as housing, workshops, quarters for a religious order, a fortress, a quarry, and a Christian shrine.

Although partially ruined because of damage caused by earthquakes and stone-robbers, the Colosseum is still an iconic symbol of Imperial Rome. It is one of Rome's most popular tourist attractions and also has links to the Roman Catholic Church, as each Good Friday the Pope leads a torchlit "Way of the Cross" procession that starts in the area around the Colosseum.

















The Colosseum's original Latin name was Amphitheater Flavium, often anglicized as Flavian Amphitheater. The building was constructed by emperors of the Flavian dynasty, following the reign of Nero. This name is still used in modern English, but generally the structure is better known as the Colosseum. In antiquity, Romans may have referred to the Colosseum by the unofficial name Amphitheater Caesareum (with Caesareum an adjective pertaining to the title Caesar), but this name may have been strictly poetic as it was not exclusive to the Colosseum; Vespasian and Titus, builders of the Colosseum, also constructed an amphitheater of the same name in Puteoli (modern Pozzuoli). The name further evolved to Coliseum during the Middle Ages. In Italy, the amphitheater is still known as il Colosseo, and other Romance languages have come to use similar forms such as Colosseum (Romanian), le Colisée (French), el Coliseo (Spanish) and o Coliseu (Portuguese).

Unlike earlier Greek theaters that were built into hillsides, the Colosseum is an entirely free-standing structure. It derives its basic exterior and interior architecture from that of two Roman theaters back to back. It is elliptical in plan and is 189 meters (615 ft / 640 Roman feet) long, and 156 meters (510 ft / 528 Roman feet) wide, with a base area of 24,000 square metres (6 acres). The height of the outer wall is 48 meters (157 ft / 165 Roman feet). The perimeter originally measured 545 meters (1,788 ft / 1,835 Roman feet). The central arena is an oval 87 m (287 ft) long and 55 m (180 ft) wide, surrounded by a wall 5 m (15 ft) high, above which rose tiers of seating.

The outer wall is estimated to have required over 100,000 cubic metres (3,531,467 cubic feet) of travertine stone which were set without mortar; they were held together by 300 tons of iron clamps. However, it has suffered extensive damage over the centuries, with large segments having collapsed following earthquakes. The north side of the perimeter wall is still standing; the distinctive triangular brick wedges at each end are modern additions, having been constructed in the early 19th century to shore up the wall. The remainder of the present-day exterior of the Colosseum is in fact the original interior wall.

The surviving part of the outer wall's monumental façade comprises three stories of superimposed arcades surmounted by a podium on which stands a tall attic, both of which are pierced by windows interspersed at regular intervals. The arcades are framed by half-columns of the Doric, Ionic, and Corinthian orders, while the attic is decorated with Corinthian pilasters. Each of the arches in the second- and third-floor arcades framed statues, probably honoring divinities and other figures from Classical mythology.

Two hundred and forty mast corbels were positioned around the top of the attic. They originally supported a retractable awning, known as the velarium, that kept the sun and rain off spectators. This consisted of a canvas-covered, net-like structure made of ropes, with a hole in the center. It covered two-thirds of the arena, and sloped down towards the center to catch the wind and provide a breeze for the audience. Sailors, specially enlisted from the Roman naval headquarters at Misenum and housed in the nearby Castra Misenatium, were used to work the velarium

According to the Codex-Calendar of 354, the Colosseum could accommodate 87,000 people, although modern estimates put the figure at around 50,000. They were seated in a tiered arrangement that reflected the rigidly stratified nature of Roman society. Special boxes were provided at the north and south ends respectively for the Emperor and the Vestal Virgins, providing the best views of the arena. Flanking them at the same level was a broad platform or podium for the senatorial class, who were allowed to bring their own chairs. The names of some 5th century senators can still be seen carved into the stonework, presumably reserving areas for their use.

The tier above the senators, known as the maenianum primum, was occupied by the non-senatorial noble class or knights (equites). The next level up, the maenianum secundum, was originally reserved for ordinary Roman citizens (plebeians) and was divided into two sections. The lower part (the immum) was for wealthy citizens, while the upper part (the summum) was for poor citizens. Specific sectors were provided for other social groups: for instance, boys with their tutors, soldiers on leave, foreign dignitaries, scribes, heralds, priests and so on. Stone (and later marble) seating was provided for the citizens and nobles, who presumably would have brought their own cushions with them. Inscriptions identified the areas reserved for specific groups.

Another level, the maenianum secundum in legneis, was added at the very top of the building during the reign of Domitian. This comprised a gallery for the common poor, slaves and women. It would have been either standing room only, or would have had very steep wooden benches. Some groups were banned altogether from the Colosseum, notably gravediggers, actors and former gladiators.

Each tier was divided into sections (maeniana) by curved passages and low walls (praecinctiones or baltei), and were subdivided into cunei, or wedges, by the steps and aisles from the vomitoria. Each row (gradus) of seats was numbered, permitting each individual seat to be exactly designated by its gradus, cuneus, and number

The Colosseum today is now a major tourist attraction in Rome with thousands of tourists each year paying to view the interior arena, though entrance for citizens of the European Union (EU) is partially subsidised, and entrance is free for EU citizens under eighteen or over sixty-five years of age. There is now a museum dedicated to Eros located in the upper floor of the outer wall of the building. Part of the arena floor has been re-floored. Beneath the Colosseum, a network of subterranean passageways once used to transport wild animals and gladiators to the arena opened to the public in summer 2010.

The Colosseum is also the site of Roman Catholic ceremonies in the 20th and 21st centuries. For instance, Pope Benedict XVI led the Stations of the Cross called the Scriptural Way of the Cross (which calls for more meditation) at the Colosseum on Good Fridays.

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Mar 14, 2017

Qutb Minar (World's tallest rubble masonry minaret), Delhi, India

Qutb Minar,  at 73 metres, is world's tallest rubble masonry minaret. Qutb Minar, along with the ancient and medieval monuments surrounding it, form the Qutb complex, which is a UNESCO World Heritage Site. The tower is located in the Mehrauli area of Delhi, India. The Minaret of Jam, a UNESCO World Heritage Site in western Afghanistan, is thought to have been a direct inspiration for the Qutb Minar in Delhi, which was also built by the Ghori (Mamluk) Dynasty. Made of red sandstone and marble, Qutb Minar is a 73-metres (240 feet) tall tapering tower with a diameter measuring 14.3 metres (47 feet) at the base and 2.7 metres (9 feet) at the peak. Inside the tower, a circular staircase with 379 steps leads to the top.Qutb Minar station is the closest station on the Delhi Metro.

In 1200 AD, Qutb al-Din Aibak, founder of the Delhi Sultanate, started construction of the Qutb Minar. In 1220, Aibak's successor and son-in-law Iltutmish added three storeys to the tower. In 1369, lightning struck the top storey, destroying it completely. So, Firoz Shah Tughlaq carried out restoration work replacing the damaged storey with two new storeys every year, made of red sandstone and white marble.

Qutb Minar is surrounded by several historically significant monuments, which are historically connected with the tower and are part of the Qutb complex. These include the Iron Pillar of Delhi, Quwwat-ul-Islam Mosque, Alai Darwaza, the Tomb of Iltutmish, Alai Minar, Ala-ud-din's Madrasa and Tomb, and the Tomb of Imam Zamin. Other minor monuments include Major Smith's Cupola and Sanderson's Sundial.










The construction of Qutb Minar was commissioned by Qutb-ud-din Aibak, the founder of the Delhi Sultanate in 1192 AD. The minar was built on the ruins of the Lal Kot, the Red Citadel in the city of Dhillika. Aibak's successor Iltutmish added three more storeys to complete the tower.

It has not been established with certainty whether Qutb Minar has been named after Qutb-ud-din Aibak, the emperor who commissioned its construction or Qutbuddin Bakhtiar Kaki, the famous Sufi saint.

The culture of tower architecture was established in India before the arrival of the Turks. However, there is no evidence on record to confirm that the Qutb Minar was inspired or influenced by earlier Rajput towers. Numerous inscriptions in Parso-Arabic and Nagari characters in different sections of the Qutb Minar reveal the history of its construction. According to the inscriptions on its surface it was repaired by Firoz Shah Tughlaq (1351–89) and Sikandar Lodi (1489–1517).

The Quwwat-ul-Islam Mosque, located to the north of Qutb Minar, was built by Qutb-ud-din Aibak in 1192. It is one of the earliest surviving mosque in the Indian subcontinent. Later, an arched screen was erected and the mosque was enlarged by Iltutmish (1210–35) and Ala-ud-din Khilji.

According to a Persian inscription still on the inner eastern gateway, the mosque was built by the parts of twenty-seven destroyed Hindu and Jain temples built previously during Tomars and Prithvi Raj Chauhan, and leaving certain parts of the temple outside the mosque proper. Historical records compiled by Muslim historian Maulana Hakim Saiyid Abdul Hai attest to the iconoclasm of Qutb-ud-din Aibak. This pattern of iconoclasm was common during his reign, although an argument goes that such iconoclasm was motivated more by politics than by religion.

However, many historians were unanimous regarding the fact that Qutb ud-Din Aibaq like many other Muslim rulers, had a pathological bigotry and distaste towards henotheistic values, and intolerance on cultures considered anathema in Islamic dogma, which had impelled him to vandalise those historic monuments.

The topmost storey was damaged by lightning in 1368 A.D. and was rebuilt by Firoz Shah Tughlaq. Firoz Shah Tughlaq built two floors one of which can be distinguished easily as it was built of white marble. In 1505, an earthquake damaged Qutb Minar and the damage was repaired by Sikander Lodi. On 1 September 1803, a major earthquake, possibly in Garhwal Kumaun Himalaya, again caused serious damage to Qutb Minar. Major Robert Smith of the British Indian Army renovated the tower in 1828 and installed a cupola to the top of Qutb Minar. The cupola was taken down in 1848, under instructions from The Viscount Hardinge, then Governor General of India and was installed to the east of Qutab Minar, where  it  rests  now
and verses from the Qur'an. The Minar comprises several superposed flanged and cylindrical shafts, separated by balconies carrying Muqarnas corbels. The first three storeys are made of red sandstone; the fourth, fifth and sixth storeys are made of marble and sandstone. At the foot of the tower is the Quwwat ul Islam Mosque. The minar tilts just over 65 cm from the vertical, which is considered to be within safe limits, although experts have stated that monitoring is needed in case rainwater seepage further weakens the foundation.
The nearby 7 meters high Iron Pillar from Gupta empire is a metallurgical curiosity. The pillar standing in the Qutb complex has Brahmic inscriptions on it and predates the Islamic minar.