The Basílica de la Sagrada Família, Barcelona, Spain

The Basílica de la Sagrada Família also known as the Sagrada Família, is a large unfinished Roman Catholic minor basilica in the Eixample district of Barcelona, Catalonia, Spain. Designed by Spanish/Catalan architect Antoni Gaudí (1852–1926), his work on the building is part of a UNESCO World Heritage Site. On 7 November 2010, Pope Benedict XVI consecrated the church and proclaimed it a minor basilica.

On 19 March 1882, construction of the Sagrada Família began under architect Francisco de Paula del Villar. In 1883, when Villar resigned, Gaudí took over as chief architect, transforming the project with his architectural and engineering style, combining Gothic and curvilinear Art Nouveau forms. Gaudí devoted the remainder of his life to the project, and he is buried in the crypt. At the time of his death in 1926, less than a quarter of the project was complete.

Relying solely on private donations, the Sagrada Família's construction progressed slowly and was interrupted by the Spanish Civil War. In July 1936, revolutionaries set fire to the crypt and broke their way into the workshop, partially destroying Gaudí's original plans, drawings and plaster models, which led to 16 years of work to piece together the fragments of the master model. Construction resumed to intermittent progress in the 1950s. Advancements in technologies such as computer aided design and computerised numerical control (CNC) have since enabled faster progress and construction passed the midpoint in 2010. However, some of the project's greatest challenges remain, including the construction of ten more spires, each symbolising an important Biblical figure in the New Testament. It is anticipated that the building can be completed by 2026, the centenary of Gaudí's death.

The basilica has a long history of splitting opinion among the residents of Barcelona: over the initial possibility it might compete with Barcelona's cathedral, over Gaudí's design itself, over the possibility that work after Gaudí's death disregarded his design, and the 2007 proposal to build a tunnel of Spain's high-speed rail link to France which could disturb its stability. Describing the Sagrada Família, art critic Rainer Zerbst said "it is probably impossible to find a church building anything like it in the entire history of art", and Paul Goldberger describes it as "the most extraordinary personal interpretation of Gothic architecture since the Middle Ages". The basilica is not the cathedral church of the Archdiocese of Barcelona, as that title belongs to the Cathedral of the Holy Cross and Saint Eulalia. 

The Basílica de la Sagrada Família was the inspiration of a bookseller, Josep Maria Bocabella, founder of Asociación Espiritual de Devotos de San José (Spiritual Association of Devotees of St. Joseph).

After a visit to the Vatican in 1872, Bocabella returned from Italy with the intention of building a church inspired by the basilica at Loreto.The apse crypt of the church, funded by donations, was begun 19 March 1882, on the festival of St. Joseph, to the design of the architect Francisco de Paula del Villar, whose plan was for a Gothic revival church of a standard form.The apse crypt was completed before Villar's resignation on 18 March 1883, when Antoni Gaudí assumed responsibility for its design, which he changed radically. Gaudi began work on the church in 1883 but was not appointed Architect Director until 1884.

On the subject of the extremely long construction period, Gaudí is said to have remarked: "My client is not in a hurry." When Gaudí died in 1926, the basilica was between 15 and 25 percent complete. After Gaudí's death, work continued under the direction of Domènec Sugrañes i Gras until interrupted by the Spanish Civil War in 1936.

Parts of the unfinished basilica and Gaudí's models and workshop were destroyed during the war by Catalan anarchists. The present design is based on reconstructed versions of the plans that were burned in a fire as well as on modern adaptations. Since 1940, the architects Francesc Quintana, Isidre Puig Boada, Lluís Bonet i Gari and Francesc Cardoner have carried on the work. The illumination was designed by Carles Buïgas. The current director and son of Lluís Bonet, Jordi Bonet i Armengol, has been introducing computers into the design and construction process since the 1980s. Mark Burry of New Zealand serves as Executive Architect and Researcher. Sculptures by J. Busquets, Etsuro Sotoo and the controversial Josep Maria Subirachs decorate the fantastical façades. Barcelona-born Jordi Fauli took over as chief architect in 2012.

The central nave vaulting was completed in 2000 and the main tasks since then have been the construction of the transept vaults and apse. As of 2006, work concentrated on the crossing and supporting structure for the main steeple of Jesus Christ as well as the southern enclosure of the central nave, which will become the Glory façade. The church shares its site with the Sagrada Família Schools building, a school originally designed by Gaudí in 1909 for the children of the construction workers. Relocated in 2002 from the eastern corner of the site to the southern corner, the building now houses an exhibition.

On the subject of the extremely long construction period, Gaudí is said to have remarked: "My client is not in a hurry." When Gaudí died in 1926, the basilica was between 15 and 25 percent complete. After Gaudí's death, work continued under the direction of Domènec Sugrañes i Gras until interrupted by the Spanish Civil War in 1936.

 

Chief architect Jordi Fauli announced in October 2015 that construction is 70 percent complete and has entered its final phase of raising six immense steeples. The steeples and most of the church's structure are to be completed by 2026, the centennial of Gaudí's death; as of a 2017 estimate, decorative elements should be complete by 2030 or 2032. Visitor entrance fees of €15 to €20 finance the annual construction budget of €25 million. Computer-aided design technology has been used to accelerate construction of the building. Current technology allows stone to be shaped off-site by a CNC milling machine, whereas in the 20th century the stone was carved by hand. In 2008, some renowned Catalan architects advocated halting construction to respect Gaudí's original designs, which although they were not exhaustive and were partially destroyed, have been partially reconstructed in recent years. In 2018, the stone type needed for the construction was found in a quarry in Brinscall, near Chorley, England.

On 11 March 2020, due to the COVID-19 pandemic in Spain, construction was stopped and the basilica was closed. This is the first time the construction has been halted since the Spanish Civil War. The Gaudí House Museum in Park Güell was also closed. The basilica reopened, initially to key workers, on 4 July 2020.

Visitors can access the Nave, Crypt, Museum, Shop, and the Passion and Nativity steeples. Entrance to either of the steeples requires a reservation and advance purchase of a ticket. Access is possible only by lift (elevator) and a short walk up the remainder of the steeples to the bridge between the steeples. Descent is via a very narrow spiral staircase of over 300 steps. There is a posted caution for those with medical conditions. As of June 2017, online ticket purchase has been available. As of August 2010, there had been a service whereby visitors could buy an entry code either at Servicaixa ATM kiosks or online. During the peak season, May to October, reservation delays for entrance of up to a few days are not unusual.

for more information - Sagrada Familia

Borobudur - World's Largest Buddha Temple, Central Java, Indonesia

Borobudur or Barabudur Temple is a 9th-century Mahayana Buddhist temple in Magelang Regency, not far from the town of Muntilan, in Central Java, Indonesia. It is the world's largest Buddhist temple.The temple consists of nine stacked platforms, six square and three circular, topped by a central dome. It is decorated with 2,672 relief panels and 504 Buddha statues. The central dome is surrounded by 72 Buddha statues, each seated inside a perforated stupa.

Built in the 9th century during the reign of the Sailendra Dynasty, the temple design follows Javanese Buddhist architecture, which blends the Indonesian indigenous cult of ancestor worship and the Buddhist concept of attaining Nirvana. The temple demonstrates the influences of Gupta art that reflects India's influence on the region, yet there are enough indigenous scenes and elements incorporated to make Borobudur uniquely Indonesian. The monument is a shrine to the Lord Buddha and a place for Buddhist pilgrimage. The pilgrim journey begins at the base of the monument and follows a path around the monument, ascending to the top through three levels symbolic of Buddhist cosmology: Kāmadhātu (the world of desire), Rūpadhātu (the world of forms) and Arūpadhātu (the world of formlessness). The monument guides pilgrims through an extensive system of stairways and corridors with 1,460 narrative relief panels on the walls and the balustrades. Borobudur has one of the largest and most complete ensembles of Buddhist reliefs in the world.

Evidence suggests that Borobudur was constructed in the 9th century and subsequently abandoned following the 14th-century decline of Hindu kingdoms in Java and the Javanese conversion to Islam. Worldwide knowledge of its existence was sparked in 1814 by Sir Thomas Stamford Raffles, then the British ruler of Java, who was advised of its location by native Indonesians. Borobudur has since been preserved through several restorations. The largest restoration project was undertaken between 1975 and 1982 by the Indonesian government and UNESCO, followed by the monument's listing as a UNESCO World Heritage Site.

Borobudur is the largest Buddhist temple in the world, and ranks with Bagan in Myanmar and Angkor Wat in Cambodia as one of the great archeological sites of Southeast Asia. Borobudur remains popular for pilgrimage, with Buddhists in Indonesia celebrating Vesak Day at the monument. Borobudur is Indonesia's single most visited tourist attraction.

 

The archaeological excavation into Borobudur during reconstruction suggests that adherents of Hinduism or a pre-Indic faith had already begun to erect a large structure on Borobudur's hill before the site was appropriated by Buddhists. The foundations are unlike any Hindu or Buddhist shrine structures, and therefore, the initial structure is considered more indigenous Javanese than Hindu or Buddhist.

Approximately 40 kilometres (25 mi) northwest of Yogyakarta and 86 kilometres (53 mi) west of Surakarta, Borobudur is located in an elevated area between two twin volcanoes, Sundoro-Sumbing and Merbabu-Merapi, and two rivers, the Progo and the Elo. According to local myth, the area known as Kedu Plain is a Javanese "sacred" place and has been dubbed "the garden of Java" due to its high agricultural fertility. During the restoration in the early 20th century, it was discovered that three Buddhist temples in the region, Borobudur, Pawon and Mendut, are positioned along a straight line. A ritual relationship between the three temples must have existed, although the exact ritual process is unknown.

In Indonesian, ancient temples are referred to as candi; thus locals refer to "Borobudur Temple" as Candi Borobudur.The only old Javanese manuscript that hints the monument called Budur as a holy Buddhist sanctuary is Nagarakretagama, written by Mpu Prapanca, a Buddhist scholar of Majapahit court, in 1365.

There are no known records of construction or the intended purpose of Borobudur.The duration of construction has been estimated by comparison of carved reliefs on the temple's hidden foot and the inscriptions commonly used in royal charters during the 8th and 9th centuries. Borobudur was likely founded around 800 AD. This corresponds to the period between 760 and 830 AD, the peak of the Sailendra dynasty rule over Mataram kingdom in central Java, when their power encompassed not only the Srivijayan Empire but also southern Thailand, Indianized kingdoms of Philippines, North Malaya (Kedah, also known in Indian texts as the ancient Hindu state of Kadaram). The construction has been estimated to have taken 75 years with completion during the reign of Samaratungga in 825.

There is uncertainty about Hindu and Buddhist rulers in Java around that time. The Sailendras were known as ardent followers of Buddhism, though stone inscriptions found at Sojomerto also suggest they may have been Hindus. It was during this time that many Hindu and Buddhist monuments were built on the plains and mountains around the Kedu Plain. The Buddhist monuments, including Borobudur, were erected around the same period as the Hindu Shiva Prambanan temple compound. In 732 AD, the Shivaite King Sanjaya commissioned a Shivalinga sanctuary to be built on the Wukir hill, only 10 km (6.2 mi) east of Borobudur.

 

 

Construction of Buddhist temples, including Borobudur, at that time was possible because Sanjaya's immediate successor, Rakai Panangkaran, granted his permission to the Buddhist followers to build such temples. In fact, to show his respect, Panangkaran gave the village of Kalasan to the Buddhist community, as is written in the Kalasan Charter dated 778 AD. This has led some archaeologists to believe that there was never serious conflict concerning religion in Java as it was possible for a Hindu king to patronize the establishment of a Buddhist monument; or for a Buddhist king to act likewise. However, it is likely that there were two rival royal dynasties in Java at the time—the Buddhist Sailendra and the Saivite Sanjaya—in which the latter triumphed over their rival in the 856 battle on the Ratubaka plateau.Similar confusion also exists regarding the Lara Jonggrang temple at the Prambanan complex, which was believed to have been erected by the victor Rakai Pikatan as the Sanjaya dynasty's reply to Borobudur, but others suggest that there was a climate of peaceful coexistence where Sailendra involvement exists in Lara Jonggrang.

Borobudur lay hidden for centuries under layers of volcanic ash and jungle growth. The facts behind its abandonment remain a mystery. It is not known when active use of the monument and Buddhist pilgrimage to it ceased. Sometime between 928 and 1006, King Mpu Sindok moved the capital of the Medang Kingdom to the region of East Java after a series of volcanic eruptions; it is not certain whether this influenced the abandonment, but several sources mention this as the most likely period of abandonment. The monument is mentioned vaguely as late as c. 1365, in Mpu Prapanca's Nagarakretagama, written during the Majapahit era and mentioning "the vihara in Budur". Soekmono (1976) also mentions the popular belief that the temples were disbanded when the population converted to Islam in the 15th century.

The monument was not forgotten completely, though folk stories gradually shifted from its past glory into more superstitious beliefs associated with bad luck and misery. Two old Javanese chronicles (babad) from the 18th century mention cases of bad luck associated with the monument. According to the Babad Tanah Jawi (or the History of Java), the monument was a fatal factor for Mas Dana, a rebel who revolted against Pakubuwono I, the king of Mataram in 1709. It was mentioned that the "Redi Borobudur" hill was besieged and the insurgents were defeated and sentenced to death by the king. In the Babad Mataram (or the History of the Mataram Kingdom), the monument was associated with the misfortune of Prince Monconagoro, the crown prince of the Yogyakarta Sultanate in 1757. In spite of a taboo against visiting the monument, "he took what is written as the knight who was captured in a cage". Upon returning to his palace, he fell ill and died one day later. 

The monument is the single most visited tourist attraction in Indonesia. In 1974, 260,000 tourists, of whom 36,000 were foreigners, visited the monument. The figure climbed to 2.5 million visitors annually (80% were domestic tourists) in the mid-1990s, before the country's economic crisis. Tourism development, however, has been criticized for not including the local community, giving rise to occasional conflicts. In 2003, residents and small businesses around Borobudur organized several meetings and poetry protests, objecting to a provincial government plan to build a three-storey mall complex, dubbed the "Java World". International tourism awards were given to Borobudur archaeological park, such as PATA Grand Pacific Award 2004, PATA Gold Award Winner 2011, and PATA Gold Award Winner 2012. In June 2012, Borobudur was recorded in the Guinness Book of World Records as the world's largest Buddhist archaeological site.

 

For more Information  - Borobudur Temple

The Monastery of the Holy Trinity, Peneas Valley, Greece

The Monastery of the Holy Trinity (Greek: Μονή Αγίας Τριάδος) (also known as Agia Triada, Ayías Triádhos, Ayia Triada; all meaning "Holy Trinity") is an Eastern Orthodox monastery in central Greece, situated in the Peneas Valley northeast of the town of Kalambaka. It is situated at the top of a rocky precipice over 400 metres high and forms part of 24 monasteries which were originally built at Meteora, one of the oldest still existing of the Meteora monasteries (Meteora means "suspended in the air" in Greek). Six of the 24 monasteries are still active and open to visitors. The church was constructed between the fourteenth and fifteenth centuries and is included in the UNESCO list of World Heritage Sites titled Meteora.

The monasteries were built on rock cliffs in the deltaic plains of Meteora. The cliffs rise to a height of more than 400 metres (1,300 ft). They are situated in the Pineios Valley within the Thessalian plains close to the town of Kalambaka. The rock cliffs, dated by chemical analysis to be 60 million years old, were created during earthquakes, and are of sandstone and conglomerate formations caused by fluvial erosion. The sediments were once in an inland sea during the Pliocene epoch.They rose as a cone during the earthquakes, forming steep rock columns, known as "heavenly columns". The area is hilly and forested, with river valleys, and a protected area known as Trikala Aesthetic Forest.

The monasteries of St. Stephen's and Holy Trinity are separated from the main group, which are further to the north. Prior to the twentieth century, Holy Trinity had a very difficult approach, requiring crossing a valley and climbing through the rock outcrop to reach the building's entrance. Provisions were placed in baskets drawn up by rope-ladders. In present day, one can walk from Kalambaka for 3 kilometres (1.9 mi) along a foot track to reach the monastery, or use a winch-operated lift.There is a road from the back side of the cliff.It is currently reached via tunnels and 130 steps of stone. The grounds include a 2 acres (0.81 ha) garden at the summit.

The history of building monasteries on top of perilous cliffs near Meteora occurred between the 14th and 15th centuries. Even prior to this, in the 11th century, religious communities had established hermitages at the foot of these cliffs. In the 14th century, the titular emperor of Serbs and Greeks, John Uroš, became a monk and moved to Meteora; he endowed, rebuilt and established monasteries here. During the political upheavals in the region during this century, monks retreated to the safe haven offered by the cliffs. Dometius was said to be the first monk at the site of Holy Trinity, arriving according to local legend, in 1438. Holy Trinity according to many sources was built in 1475–76, though some sources say the construction dates of the monastery and its adjoining chapel, dedicated to St. John the Baptist, are unknown. Holy Trinity's decoration was added in 1741. By end of the fifteenth century, there were 24 such monasteries, such as Holy Trinity, St. Barbara Rousanou, and St. Nicholas Anapafsas. Damascene, Jonah, and Parthenios, were benefactors and those who took part in restorations; their names grace the monastery walls.

Only six of the original monasteries are still occupied, including Holy Trinity.These six – Holy Trinity, St. Stephen, Rousanou, St. Nicholas Anapafsas, Varlaam, and the Great Meteoron – make up the UNESCO World Heritage Site entitled Meteora. The UNESCO inscribing was done under criteria in 1988.

The church plan is in the form of a cruciform type and has a dome which is supported on two columns. The monastery's main cathedral was constructed in the 15th century and decorated with frescoes in 1741 by two monks. A pseudo-trefoil window is part of the apse. There are white columns and arches, as well as rose-coloured tiles. A small skeuophylakion adjoining the church was built in 1684. Its broad esonarthex barrel vault was built in 1689 and embellished in 1692. The small chapel of St. John the Baptist, carved into the rock, contains frescoes from the seventeenth century. It was richly decorated and had precious manuscripts; however, these treasures were looted during World War II, when it was occupied by the Germans. The building's sixteenth-century frescoes are reported to be post-Byzantine paintings. A fresco of St Sisois and the skeleton of Alexander the Great adorns the walls.

At one time, fifty monks lived at Holy Trinity, but by the early twentieth century, there were only five. Visitors are allowed. Patrick Leigh Fermor is reported to have visited the monasteries here several decades ago, as a guest of the Abbot of Varlaam. Even then, Holy Trinity was one of the poorest monasteries in Meteora.

The monastery was featured in the 1981 James Bond film For Your Eyes Only. It features in the climax to the film where Bond ascends the rock cliff and intrudes upon Aristotle Kristatos and Erich Kriegler to retrieve the ATAC decoder. Aristotle Kristatos, played by Julian Glover, was using the monastery in the film as a hideout. Eventually Bond throws the ATAC decoder off the cliff top when approached by the KGB. The Monastery also features in the 1961 film Tintin and the Golden Fleece. The 1957 film Boy on a Dolphin is partly shot in Meteora.Clifton Webb's character visits Meteora, and goes up to the Holy Trinity monastery to do some library research.