Dec 31, 2020

Lake Bled, Julian Alps, Northwestern Slovenia, Europe

Lake Bled is a lake in the Julian Alps of the Upper Carniolan region of northwestern Slovenia, where it adjoins the town of Bled. The area is a tourist destination. The lake is 35 km (22 mi) from Ljubljana International Airport and 55 km (34 mi) from the capital city, Ljubljana. Lake Bled is 4.2 km (2.6 mi) from Lesce-Bled train station.

The lake is of mixed glacial and tectonic origin. It is 2,120 m (6,960 ft) long and 1,380 m (4,530 ft) wide, with a maximum depth of 29.5 m (97 ft), and it has a small island. The lake lies in a picturesque environment, surrounded by mountains and forests. Medieval Bled Castle stands above the lake on the north shore and has a museum. The Zaka Valley lies at the west end of the lake.

The World Rowing Championships in 1966, 1979, 1989, and 2011 were held at Lake Bled. The lake surrounds Bled Island. The island has several buildings, the main one being the pilgrimage church dedicated to the Assumption of Mary, built in its current form near the end of the 17th century, and decorated with remains of Gothic frescos from around 1470 in the presbyterium and rich Baroque equipment.








The church has a 52 m (171 ft) tower and there is a Baroque stairway dating from 1655 with 99 stone steps leading up to the building. The church is frequently visited and weddings are held there regularly. Traditionally it is considered good luck for the groom to carry his bride up the steps on the day of their wedding before ringing the bell and making a wish inside the church.

The traditional transportation to Bled Island is a wooden boat known as a pletna. The word pletna is a borrowing from Bavarian German Plätten 'flat-bottomed boat'. Some sources claim the pletna was used in Lake Bled as early as 1150 AD, but most historians date the first boats to 1590 AD. Similar in shape to Italian gondolas, a pletna seats 20 passengers. Modern boats are still made by hand and are recognizable by their colorful awnings. Pletna oarsman employ the stehrudder technique to propel and navigate boats across the lake using two oars. The role of the oarsman dates back to 1740, when Empress Maria Theresa granted 22 local families exclusive rights to ferry religious pilgrims across Lake Bled to worship on Bled Island. The profession is still restricted. Many modern oarsman descend directly from the original 22 families.

The area's culinary specialty, a cream pastry, was designated a protected dish of designated origin in 2016 by the Slovene government. Although various Slovene cream pastries date back to the Habsburg era,the current "official" recipe was created in 1953 by Ištvan Lukačević, the former manager of the Hotel Park's patisserie. There is an annual festival dedicated to the pastry. It is estimated that 12 million cream pastries have been prepared at the Hotel Park’s patisserie over the last 60 years.

Dec 30, 2020

The Rio de Janeiro Botanical Garden, Rio de Janeiro, Brazil

The Rio de Janeiro Botanical Garden or Jardim Botânico is located at the Jardim Botânico district in the South Zone of Rio de Janeiro.

The Botanical Garden shows the diversity of Brazilian and foreign flora. There are around 6,500 species distributed throughout an area of 54 hectares (130 acres) as well as numerous greenhouses. The garden also houses monuments of historical, artistic, and archaeological significance. There is an important research center, which includes the most complete library in the country specializing in botany with over 32,000 volumes.

It was founded in 1808 by King John VI of Portugal. Originally intended for the acclimatization of spices like nutmeg, pepper and cinnamon imported from the West Indies, the garden was opened to the public in 1822, and is now open during daylight hours every day except 25 December and 1 January.








The 140 hectares (350 acres) park lies at the foot of the Corcovado Mountain, far below the right arm of the statue of Christ the Redeemer and contains more than 6,000 different species of tropical and subtropical plants and trees, including 900 varieties of palm trees. A 750 metres (2,460 ft) line of 134 palms forms the Avenue of Royal Palms leading from the entrance into the gardens. These palms all descended from a single tree, the Palma Mater, long since destroyed by lightning. Only about 40% of the park is cultivated, the remainder being Atlantic Forest rising up the slopes of Corcovado. The park is protected by the Patrimônio Histórico e Artístico Nacional and was designated as a biosphere reserve by UNESCO in 1992. 
 
The Botanical Garden has an important research institute, which develops a wide range of botanical studies in Brazil. The institute has taxonomists who specialize in the identification and conservation of the neotropical flora.

The gardens house collections that include bromeliads, orchids, carnivorous plants, and cacti. These include Brazil’s largest botanical library and collections of dried fruits, rare Brazilian plants, and many photographs. The painted cast-iron Fountain of the Muses was made in Derby, UK, and until 1895 was sited at Henrique Lage's villa at Largo da Lapa, as part of the landscaping by the English painter John Tydall.
 











The park contains 140 species of birds, many of which have become accustomed to humans and are consequently much easier to observe than in the wild. These include the channel-billed toucan, rusty-margined guan, slaty-breasted wood rail and the endangered endemic white-necked hawk. Capuchin monkeys and tufted-eared marmosets are also frequently seen in the Botanical Gardens.

Features of interest include an old gunpowder factory, the Victoria lilies in the Lago Frei Leandro pond, the Japanese Garden, and many sculptures and fountains. 

Dec 29, 2020

Ronda (The Old City), Málaga, Spain

Ronda is a town in the Spanish province of Málaga. It is located about 105 km (65 mi) west of the city of Málaga, within the autonomous community of Andalusia. Its population is about 35,000 inhabitants. It now is one of the towns and villages that is included in the Sierra de las Nieves Natural Park.

Around the city are remains of prehistoric settlements dating to the Neolithic Age, including the rock paintings of Cueva de la Pileta. Ronda was, however, first settled by the early Celts, who called it Arunda in the sixth century BC. Later Phoenician settlers established themselves nearby to found Acinipo (sometimes referred to as Ronda la Vieja, Old Ronda). The current Ronda is of Roman origins, having been founded as a fortified post in the Second Punic War, by Scipio Africanus. Ronda received the title of city at the time of Julius Caesar.

In the fifth century AD, Ronda was conquered by the Suebi, led by Rechila, being reconquered in the following century by the Eastern Roman Empire, under whose rule Acinipo was abandoned. Later, the Visigoth king Leovigild captured the city. Ronda was part of the Visigoth realm until 713, when it fell to the Berbers, who named it Hisn Ar-Rundah ("Castle of Rundah") and made it the capital of the Takurunna province.









It was the hometown of the polymath Abbas Ibn Firnas (810–887), an inventor, engineer, alleged aviator, chemist, physician, Muslim poet, and Andalusian musician.

After the disintegration of the caliphate of Córdoba, Ronda became the capital of a small kingdom ruled by the Berber Banu Ifran, the taifa of Ronda. During this period, Ronda gained most of its Islamic architectural heritage. In 1065, Ronda was conquered by the taifa of Seville led by Abbad II al-Mu'tadid. Both the poet Salih ben Sharif al-Rundi (1204–1285) and the Sufi scholar Ibn Abbad al-Rundi (1333–1390) were born in Ronda. The Islamic domination of Ronda ended in 1485, when it was conquered by the Marquis of Cádiz after a brief siege. Subsequently, most of the city's old edifices were renewed or adapted to Christian roles, while numerous others were built in newly created quarters such as Mercadillo and San Francisco. The Plaza de Toros de Ronda was founded in the town in 1572.

The Spanish Inquisition affected the Muslims living in Spain greatly. Shortly after 1492, when the last outpost of Muslim presence in the Iberian Peninsula, Granada, was conquered, the Spanish decreed that all Muslims must either vacate the peninsula without their belongings or convert. Many people overtly converted to keep their possessions while secretly practicing their religion. Muslims who converted were called Moriscos. They were required to wear upon their caps and turbans a blue crescent. Traveling without a permit meant a death sentence. This systematic suppression forced the Muslims to seek refuge in mountainous regions of southern Andalusia; Ronda was one such refuge.











On May 25, 1566, Philip II decreed the use of the Arabic language illegal, required that doors to homes remain open on Fridays to verify that no Muslim Friday prayers were conducted, and levied heavy taxes on Morisco trades. This led to several rebellions, one of them in Ronda under the leadership of Al-Fihrey. Al-Fihrey's soldiers defeated the Spanish army sent to suppress them under the leadership of Alfonso de Aguilar. The massacre of the Spaniards prompted Phillip II to order the expulsion of all Moriscos in Ronda. In the early 19th century, the Napoleonic invasion and the subsequent Peninsular War caused much suffering in Ronda, whose inhabitants were reduced from 15,600 to 5,000 in three years. Ronda's area became the base first of guerrilla warriors, then of numerous bandits, whose deeds inspired artists such as Washington Irving, Prosper Mérimée, and Gustave Doré. In the 19th century, the economy of Ronda was mainly based on agricultural activities. In 1918, the city was the seat of the Assembly of Ronda, in which the Andalusian flag, coat of arms, and anthem were designed.


Ronda's Romero family from Francisco, born in 1698, to his son Juan, to his famous grandson Pedro, who died in 1839 played a principal role in the development of modern Spanish bullfighting. In a family responsible for such innovations as the use of the cape, or muleta, and a sword especially designed for the kill, Pedro in particular transformed bullfighting into "an art and a skill in its own right, and not simply ... a clownishly macho preamble to the bull's slaughter".

Ronda was heavily affected by the Spanish Civil War, which led to emigration and depopulation. The scene in chapter 10 of Hemingway's For Whom the Bell Tolls, describing the 1936 execution of Fascist sympathisers in a village who are thrown off a cliff, is considered to be modeled on actual events of the time in Ronda.

Ronda is situated in a mountainous area about 750 m (2,460 ft) above mean sea level. Also it occupies the depression of Ronda. The inner relief is gentle and includes areas of pastureland and vegetable and cereal growing areas. The Guadalevín River runs through the city, dividing it in two and carving out the steep, 100-plus-meter-deep El Tajo canyon above which the city perches. The Spanish fir (Abies pinsapo) is endemic to the mountains surrounding Ronda.

Places of  Interest -

  1. Three bridges: 1 - Puente Romano"Roman Bridge", 2-Puente Viejo"Old Bridge" and 3-Puente Nuevo"New Bridge", span the canyon. The term nuevo is something of a misnomer, as the building of this bridge commenced in 1751 and took until 1793 to complete. The Puente Nuevo is the tallest of the bridges, towering 120 m (390 ft) above the canyon floor, and all three serve as some of the city's most impressive features. The former town hall, which stands next to the Puente Nuevo, is the site of a parador and has a view of the Tajo canyon.  
  2. The 'Corrida Goyesca' is a unique and historical bullfight that takes place once a year in Ronda in the Plaza de toros de Ronda, the oldest bullfighting ring in Spain. It was built in 1784 in the Neoclassical style by the architect José Martin de Aldehuela, who also designed the Puente Nuevo. 
  3. The partially intact Baños Arabe ("Arabic baths") are found below the city, beside the Puente Arabe and date back to the 13th and 14th centuries. Nowadays you can visit them although you can not enjoy an original Arab bath but you can see all the facilities. Also, in its time, the Arab Baths used to fulfil the function of purifying the visitors who came to the city of Ronda. They are the best preserved Arabic baths.Plaza del Socorro is the modern political centre of Ronda. It was here that Blas Infante showed the Andalusian flag and coat of arms for the first time in 1918. The parish church of Socorro was only built in 1956. The building known as the Casino and Circulo de Artistas is located on the north side of Ronda's Plaza del Socorro. 
  4. The Palacio of the Marqués de Salvatierra opens irregularly as a small museum of Renaissance art and artefacts. The Palacio is an 18th-century renovation of an earlier 16th century building gifted to the family of Don Vasco Martín de Salvatierra by the Catholic Monarchs when they redistributed the spoils of the Reconquest. In 1994, Madonna obtained a permit to shoot inside the palace of the Marquis of Salvatierra for the music video of Take a Bow. 
  5. Despite the name, The Casa del Rey Moro was never the home of a Moorish king. It was built in the 18th century, when Moorish Spain was already a distant memory. Its apparently Moorish gardens are even more recent, having been designed by the French landscape gardener Jean Claude Forestier in 1912. The house does incorporate one genuine and important relic of Ronda's Moorish era: the so-called Water Mine, a set of steps down to the river carved into the cliff wall. 
  6. Serranía de Ronda is filled with charming pueblos blancos which are approachable by car. The position of the town of Ronda provides a stunning view over the mountains of Serranía de Ronda.

Ronda is accessible via highways (Autovía A-374) and by rail from Algeciras and from Córdoba. A direct train from Madrid to Ronda operates twice daily. The single-track railway between Ronda and Algeciras was built between 1890 and 1892 by the Algeciras Gibraltar Railway Company. It enabled the British military officers to escape the summer heat of Gibraltar. The railway was built by James Morrison, an engineer, in partnership with Alexander Henderson, 1st Baron Faringdon, a financier. The station at Ronda was opened in 1892.

Dec 27, 2020

The Basílica de la Sagrada Família, Barcelona, Spain

The Basílica de la Sagrada Família also known as the Sagrada Família, is a large unfinished Roman Catholic minor basilica in the Eixample district of Barcelona, Catalonia, Spain. Designed by Spanish/Catalan architect Antoni Gaudí (1852–1926), his work on the building is part of a UNESCO World Heritage Site. On 7 November 2010, Pope Benedict XVI consecrated the church and proclaimed it a minor basilica.

On 19 March 1882, construction of the Sagrada Família began under architect Francisco de Paula del Villar. In 1883, when Villar resigned, Gaudí took over as chief architect, transforming the project with his architectural and engineering style, combining Gothic and curvilinear Art Nouveau forms. Gaudí devoted the remainder of his life to the project, and he is buried in the crypt. At the time of his death in 1926, less than a quarter of the project was complete.

Relying solely on private donations, the Sagrada Família's construction progressed slowly and was interrupted by the Spanish Civil War. In July 1936, revolutionaries set fire to the crypt and broke their way into the workshop, partially destroying Gaudí's original plans, drawings and plaster models, which led to 16 years of work to piece together the fragments of the master model. Construction resumed to intermittent progress in the 1950s. Advancements in technologies such as computer aided design and computerised numerical control (CNC) have since enabled faster progress and construction passed the midpoint in 2010. However, some of the project's greatest challenges remain, including the construction of ten more spires, each symbolising an important Biblical figure in the New Testament. It is anticipated that the building can be completed by 2026, the centenary of Gaudí's death.

The basilica has a long history of splitting opinion among the residents of Barcelona: over the initial possibility it might compete with Barcelona's cathedral, over Gaudí's design itself, over the possibility that work after Gaudí's death disregarded his design, and the 2007 proposal to build a tunnel of Spain's high-speed rail link to France which could disturb its stability. Describing the Sagrada Família, art critic Rainer Zerbst said "it is probably impossible to find a church building anything like it in the entire history of art", and Paul Goldberger describes it as "the most extraordinary personal interpretation of Gothic architecture since the Middle Ages". The basilica is not the cathedral church of the Archdiocese of Barcelona, as that title belongs to the Cathedral of the Holy Cross and Saint Eulalia. 











The Basílica de la Sagrada Família was the inspiration of a bookseller, Josep Maria Bocabella, founder of Asociación Espiritual de Devotos de San José (Spiritual Association of Devotees of St. Joseph).

After a visit to the Vatican in 1872, Bocabella returned from Italy with the intention of building a church inspired by the basilica at Loreto.The apse crypt of the church, funded by donations, was begun 19 March 1882, on the festival of St. Joseph, to the design of the architect Francisco de Paula del Villar, whose plan was for a Gothic revival church of a standard form.The apse crypt was completed before Villar's resignation on 18 March 1883, when Antoni Gaudí assumed responsibility for its design, which he changed radically. Gaudi began work on the church in 1883 but was not appointed Architect Director until 1884.

On the subject of the extremely long construction period, Gaudí is said to have remarked: "My client is not in a hurry." When Gaudí died in 1926, the basilica was between 15 and 25 percent complete. After Gaudí's death, work continued under the direction of Domènec Sugrañes i Gras until interrupted by the Spanish Civil War in 1936.

Parts of the unfinished basilica and Gaudí's models and workshop were destroyed during the war by Catalan anarchists. The present design is based on reconstructed versions of the plans that were burned in a fire as well as on modern adaptations. Since 1940, the architects Francesc Quintana, Isidre Puig Boada, Lluís Bonet i Gari and Francesc Cardoner have carried on the work. The illumination was designed by Carles Buïgas. The current director and son of Lluís Bonet, Jordi Bonet i Armengol, has been introducing computers into the design and construction process since the 1980s. Mark Burry of New Zealand serves as Executive Architect and Researcher. Sculptures by J. Busquets, Etsuro Sotoo and the controversial Josep Maria Subirachs decorate the fantastical façades. Barcelona-born Jordi Fauli took over as chief architect in 2012.

The central nave vaulting was completed in 2000 and the main tasks since then have been the construction of the transept vaults and apse. As of 2006, work concentrated on the crossing and supporting structure for the main steeple of Jesus Christ as well as the southern enclosure of the central nave, which will become the Glory façade. The church shares its site with the Sagrada Família Schools building, a school originally designed by Gaudí in 1909 for the children of the construction workers. Relocated in 2002 from the eastern corner of the site to the southern corner, the building now houses an exhibition.

On the subject of the extremely long construction period, Gaudí is said to have remarked: "My client is not in a hurry." When Gaudí died in 1926, the basilica was between 15 and 25 percent complete. After Gaudí's death, work continued under the direction of Domènec Sugrañes i Gras until interrupted by the Spanish Civil War in 1936.
 










Chief architect Jordi Fauli announced in October 2015 that construction is 70 percent complete and has entered its final phase of raising six immense steeples. The steeples and most of the church's structure are to be completed by 2026, the centennial of Gaudí's death; as of a 2017 estimate, decorative elements should be complete by 2030 or 2032. Visitor entrance fees of €15 to €20 finance the annual construction budget of €25 million. Computer-aided design technology has been used to accelerate construction of the building. Current technology allows stone to be shaped off-site by a CNC milling machine, whereas in the 20th century the stone was carved by hand. In 2008, some renowned Catalan architects advocated halting construction to respect Gaudí's original designs, which although they were not exhaustive and were partially destroyed, have been partially reconstructed in recent years. In 2018, the stone type needed for the construction was found in a quarry in Brinscall, near Chorley, England.

On 11 March 2020, due to the COVID-19 pandemic in Spain, construction was stopped and the basilica was closed. This is the first time the construction has been halted since the Spanish Civil War. The Gaudí House Museum in Park Güell was also closed. The basilica reopened, initially to key workers, on 4 July 2020.

Visitors can access the Nave, Crypt, Museum, Shop, and the Passion and Nativity steeples. Entrance to either of the steeples requires a reservation and advance purchase of a ticket. Access is possible only by lift (elevator) and a short walk up the remainder of the steeples to the bridge between the steeples. Descent is via a very narrow spiral staircase of over 300 steps. There is a posted caution for those with medical conditions. As of June 2017, online ticket purchase has been available. As of August 2010, there had been a service whereby visitors could buy an entry code either at Servicaixa ATM kiosks or online. During the peak season, May to October, reservation delays for entrance of up to a few days are not unusual.

for more information - Sagrada Familia